Gilded Aesthetics,This is a fine brushwork and heavy color flower work with oriental aesthetic implication. The main body of the picture presents purple and blue purple gradient flowers (suspected of weeping silk begonia or cherry blossom variant). The petals adopt multi-layer blooming technique,which gradually changes from pale yellow to deep purple at the center of the flower to the edge,and are trimmed with 24K gold powder to form a gorgeous gold inlaid jade effect., The background uses the traditional lacquer process to treat the black bottom,through twelve push light to form a mirror effect. The branches are represented by the technique of painting,using pure gold foil and magic color mother-of-pearl powder interlaced,presenting iridescent color change in the dark. The blade adopts the technique of "the end of the gold ray",and the gold powder and malachite green are layered and superimposed to create an optical effect similar to the obsidian sky change., The composition of the picture is based on the composition of broken branches,flowers and birds in the Song Dynasty,and the S-shaped branches contain the meaning of calligraphy. The details can be seen in the Ming Dynasty Chou Ying-style hairspring tracing technique. The texture of each petal presents a transparent texture through "Three Alum and Nine Dyes. Decorative elements of the Tang Dynasty gold and silver flat off process,in the flower bud dotted with miniature gold millet., The overall style belongs to the New Orientalism decorative painting,which not only maintains the rigor of traditional meticulous painting,but also combines the mineral crystal hair color characteristics of modern rock color painting. The size of the picture is estimated to be 60 × 90cm silk,which may be drawn by mixing natural mineral pigments (lapis lazuzi purple and cinnabar red) with new high-temperature crystalline pigments. Suitable as the main visual decoration of high-end art space or contemporary ink collection.,